Eamon Ore-Giron originally worked in figuration before developing his signature abstract style. His paintings resonate with artists and movements of the past and present, including Suprematism; Latin American Concrete Art; and the geometric minimalism of Cuban-American painter Carmen Herrera. The bright colors and designs on expanses of raw linen bring to mind Moholy-Nagy's paintings of the 1920s, which prominently featured similar unpainted grounds, but might just as well originate from Ore-Giron's coming-of-age in Tucson, Arizona, an arid environment in which color always pops in the brown landscape. Recently, Ore-Giron has been integrating gold into his color palette, evoking the great traditions of gold artistry in countries like Peru, his father's birthplace, and a place Ore-Giron continues to strongly identify with.

Ore-Giron's painting, music, video, and performances have been shown at venues including the Hammer Museum, Los Angeles, CA; Whitney Museum, New York, NY; Museum of Contemporary Art, Los Angeles, CA; LAXART, Los Angeles, CA; Deitch Projects, New York, NY; MUCA ROMA, Mexico City; Peres Art Museum Miami, FL; Museo Tamayo Museum, Mexico City; Peres Projects, Los Angeles, CA; Consonni, Bilbao, Spain; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Los Angeles County Museum of Art, Los Angeles, CA; SFMOMA, San Francisco, CA; and Yerba Buena Center for the Arts, San Francisco, CA, among others. Ore-Giron received a BFA from the San Francisco Art Institute in 1996 and an MFA, Univerity of California, Los Angeles, in 2006.